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Diana Stein (also known as Diana Aishe) is a multidisciplinary theatre artist, working as a theatre director, playwright, Scenic design, lyricist, and Performing arts. She integrates stage direction, Scenic design, and dramatic writing in her productions. Over the years, she has been involved in experimental theatre and collaborated with major national institutions, including the Ivan Franko National Academic Drama Theatre, the Taras Shevchenko Dnipro National Academic Ukrainian Music and Drama Theatre, and the Les Kurbas National Centre for Theatre Arts. In addition to her theatrical work, Stein is currently developing the Duskhaus project in Germany.
Stein obtained a Bachelor's degree in Psychology and English Language and Literature from Oles Honchar Dnipro National University in 2009, followed by a Master’s in Psychology in 2010. She also completed an acting course at the Virymo Theatre. Additionally, she took an acting course at the Virymo Theatre and later pursued theatre directing at the Kyiv National I. K. Karpenko-Kary Theatre, Cinema and Television University, earning her Bachelor's degree in 2014 and Master’s degree in 2015.
During her studies, Stein initiated Aparté Theatre, where she directed experimental performances. She also worked on various Visual arts projects, collaborating with Ukrainian artists, designers, and photographers, and participated in modelling for artistic photo shoots.
As the founder of Aparté Theatre, she created original drama texts, adapted literary works, and directed over ten experimental productions. These included Hello, This Is Max Speaking (adapted from Hanoch Levin), Play (Samuel Beckett), The Lover (Harold Pinter), and Experimental World (adapted from short stories by Pär Lagerkvist). Her work during this period was recognised for its experimental staging and conceptual innovation.
Stein later expanded her work to state theatre, joining the ensemble at the Ivan Franko National Academic Drama Theatre. There, she worked as an associate director for productions such as All My Sons (Arthur Miller), Alice’s Travel to Switzerland (Lukas Bärfuss), and Sanation (Václav Havel). At the same time, she worked as a director on independent projects such as pOST bLOCK, a site-specific multimedia performance presented at the Museum of Spiritual Treasures of Ukraine, which explored themes of urban identity.
Notably, Stein staged two versions of No Pictures Expected (adapted from Daniil Kharms’ The Old Woman): the first premiered in 2013 at the Ivan Kozlovsky Art Centre of the National Operetta of Ukraine, and the second in 2015 at the Les Kurbas National Centre for Theatre Arts. Both productions received critical acclaim for their innovative interpretation of absurdist theatre.
At the Taras Shevchenko Dnipro National Academic Ukrainian Music and Drama Theatre, she directed Éric-Emmanuel Schmitt’s Partners in Crime (2014) and Henrik Ibsen Hedda Gabler (2015). Partners in Crime earned her the Best Debut award at the Sicheslavna Theatre Festival in 2014. Both productions received positive reviews, as highlighted in press.
At the Ivan Franko National Academic Drama Theatre, she directed a musical play Gelsomino in the Land of Liars (2016–2018), for which she wrote the stage adaptation and lyrics for original songs. Stein also founded the Actor’s Multilingual Performance Lab at the Ivan Franko National Academic Drama Theatre, a research initiative exploring the connections between linguistic adaptability and expressive depth in performance. The program served as the foundation for the development of the English-language production Farewell Cabaret (2020–2021), where Stein contributed as a director, playwright, lyricist, and performer. In this work, she integrated theatrical narrative with music, experimenting with new approaches to actor training and multilingual storytelling.
Her productions, including No Pictures Expected, were showcased at cultural events such as multidisciplinary international festival Gogolfest, and received recognition, including a nomination for the Kyiv Pectoral Theatre Award.
In 2022–2023, Stein also contributed to the leadership of the Tel Aviv International Theatre Festival (TAITF), shaping its artistic programming.
Currently based in Germany, Stein continues her artistic practice. She has worked with national theatres, contributed to European cultural organisations, and collaborated with international artists. These experiences have shaped her interdisciplinary approach. She is also working on the Duskhaus project, based in Germany.
Internationally, Stein has partnered with institutions that support cross-cultural exchange like the Goethe-Institut and participated in IETM Plenary Meetings and ETC conferences. She was engaged with theatre production at Schauspielhaus Graz, involved on Cactus Land (based on Anthony Loyd novel) and Benefiz (by Ingrid Lausund), and at Context Theatre in Israel, where she collaborated on Yosef Bar-Yosef’s The Button.
Stein also integrated theatrical practices into the educational process, creating and leading initiatives such as Foreign Language Through Drama and drama pedagogy seminars, using theatre as a tool for learning. Additionally, she taught other educational programs at Aparté Theatre Studio and served as a lecturer at JCD ETRC (Kyiv), sponsored by the U.S. Embassy. At Aparté Theatre Studio, she conducted the course Contemporary Interpretations of Literary Classics, during which she led discussions and introduced new approaches to classic texts.
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